Skip to content

Dallas Art Fair

April 21 - 24, 2022

Elias Crespin, Circuconcéntricos Laiton-50, 2018. Coated brass, 19 11/16 in. (diameter)

Elias Crespin, Circuconcéntricos Laiton-50, 2018. Coated brass, 19 11/16 in. (diameter)

Carlos Cruz-Diez, Physichromie 888, 1976. Silkscreened aluminum modules, stainless steel inserts with aluminum strip frame, 31 1/2 x 31 1/2 in.

Carlos Cruz-Diez, Physichromie 888, 1976. Silkscreened aluminum modules, stainless steel inserts with aluminum strip frame, 31 1/2 x 31 1/2 in.

Miguel Ángel Rojas, El Capital  (CAPITAL) Diptych, 2009. Acrylic, gold leaf, silver and gold electrolytic, 16 x 66 in.

Miguel Ángel Rojas, El Capital  (CAPITAL) Diptych, 2009. Acrylic, gold leaf, silver and gold electrolytic, 16 x 66 in.

Mercedes Pardo, Sin Título [Untitled], 1997. Acrylic on canvas, 32 5/8 x 47 x 1 3/8 in.

Mercedes Pardo, Sin Título [Untitled], 1997. Acrylic on canvas, 32 5/8 x 47 x 1 3/8 in.

Melanie Smith, Fordlandia X, 2014. Acrylic enamel on acrylic, 55 1/16 x 62 15/16 x 1 1/8 in.

Melanie Smith, Fordlandia X, 2014. Acrylic enamel on acrylic, 55 1/16 x 62 15/16 x 1 1/8 in.

Fanny Sanín, Acrylic No. 1, 1992, 1992. Acrylic on canvas, 37 x 46 in.

Fanny Sanín, Acrylic No. 1, 1992, 1992. Acrylic on canvas, 37 x 46 in.

Fanny Sanín, Study for Painting No. 1, 1992 (1) & Study for Painting No. 1, 1992 (4), 1992. Acrylic on paper, 7 1/2 x 10 1/4 in. each

Fanny Sanín, Study for Painting No. 1, 1992 (1) & Study for Painting No. 1, 1992 (4), 1992. Acrylic on paper, 7 1/2 x 10 1/4 in. each

Gustavo Díaz, From the Series: While Stravinsky composes Firebird, Olivier Messiaen flies and draws. [The cardinal is unaware that it comforts you], 2019. Cut out paper, 24 1/2 x 70 1/2 x 2 1/4 in.

Gustavo Díaz, From the Series: While Stravinsky composes Firebird, Olivier Messiaen flies and draws. [The cardinal is unaware that it comforts you], 2019. Cut out paper, 24 1/2 x 70 1/2 x 2 1/4 in.

Gustavo Díaz, Untitled, 2020. Cut out paper, pigment, & colored pencil, 25 5/8 x 25 5/8 x 3 1/2 in.

Gustavo Díaz, Untitled, 2020. Cut out paper, pigment, & colored pencil, 25 5/8 x 25 5/8 x 3 1/2 in.

Gustavo Díaz, Untitled, 2019. Cut out paper , 18 x 17 in.

Gustavo Díaz, Untitled, 2019. Cut out paper , 18 x 17 in.

Gabriel de la Mora, 942 II, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 942 II, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 956 I, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 956 I, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 900 V, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Gabriel de la Mora, 900 V, 2020. Pigmented turkey feathers on museum cardboard, 16 7/8 x 16 7/8 x 1 9/16 in.

Marco Maggi, Vertical Complot 1, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 1, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 7, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 7, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 9, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 9, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 10, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 10, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 12, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Marco Maggi, Vertical Complot 12, 2017. Slide mounts with 35 mm. cut papers, 12 x 12 in.

Melanie Smith, Fragmented Landscape 14, 2020. Pigment on wood, 35 3/8 x 29 1/2 in.

Melanie Smith, Fragmented Landscape 14, 2020. Pigment on wood, 35 3/8 x 29 1/2 in.

Melanie Smith, Fragmented Landscape 18, 2020. Pigment on wood, 35 3/8 x 29 1/2 in.

Melanie Smith, Fragmented Landscape 18, 2020. Pigment on wood, 35 3/8 x 29 1/2 in.

John Sparagana, Splendid Isolation (Forces at Work) Summer/Fall/Winter 2020 #26, 2020. Sliced and mixed printed matter on paper, 55 3/4 x 45 1/4 in.

John Sparagana, Splendid Isolation (Forces at Work) Summer/Fall/Winter 2020 #26, 2020. Sliced and mixed printed matter on paper, 55 3/4 x 45 1/4 in.

John Sparagana, Splendid Isolation (Forces at Work) Summer/Fall/Winter 2020 #28, 2020. Sliced and mixed printed matter on paper, 57 1/8 x 46 5/8 x 1 1/2 in.

John Sparagana, Splendid Isolation (Forces at Work) Summer/Fall/Winter 2020 #28, 2020. Sliced and mixed printed matter on paper, 57 1/8 x 46 5/8 x 1 1/2 in.