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[1923 - 2007, Italy/France]

Born in Possagno Italy, Gregorio Vardanega’s family relocated to Buenos Aires when he was three years old. As a young man, he studied in the Academia Nacional de Bellas Artes (1939-1946) in Buenos Aires, and graduated as professor of drawing. In 1946, he participated in the exhibitions organized by the Asociación Arte Concreto-Invención, and two years later, he traveled with Carmelo Arden Quin to Europe. The trip was an important moment in the artist's formation; a year later, he showed work at the Salon de Amérique latine in Paris, and this exhibition put him in contact with the important figures involved in Paris’s growing kinetic movement, including Denise René, Georges Vantongerloo, Nicolas Pevsner, Sonia Delaunay, Max Bill, and Constantin Brancusi. When he returned to Buenos Aires, he began making his earliest kinetic works, using metal bands and celluloid.

At the center of many of Argentina’s avant-garde artistic circles, Vardanega was a founding member of the Asociación Arte Nuevo in 1955 and, the following year, of Artistas No Figurativos Argentinos (ANFA). In 1957, he was included in the group exhibition 14 Pintores abstractos at the Galatea gallery in Buenos Aires. He received the gold medal in the International Exposition in Brussels in 1957, and was included in the IV São Paulo Bienal.


In 1959, Vardanega moved to Paris with Martha Boto, and began experimenting with Plexiglas spheres, illuminated with moving projections of colored lights. All of his subsequent work explored the aesthetic of light, movement, color, and electronic programs. He was especially drawn to the cultural phenomena of machines that “think.” As did many kinetic artists, Vardanega thought of his work as in dialogue with architecture and urban planning. He hoped his towers and light works would be accompanied by music and other modes of performative work; he considered many of the sculptures to be prototypes for large-scale public projects. His first major exhibition in Paris, Chromocinétisme (1964), was a two-person show with Boto at the Maison des Beaux-Arts. His work has subsequently been included in numerous important surveys of kinetic art. 

Vardanega died in Paris in 2007.


Abstract Art Beyond the Frame, Museum of Latin American Art (MOLAA), Long Beach, CA, USA
Light & Darkness, Power Collection, Chau Chak Wing Museum, The University of Sydney, Camperdown, Australia

Line into Space,” Connecting Currents: Contemporary Art at the Fine Arts Museum Houston in the inaugural installation of the Nancy and Rich Kinder Building, The Museum of Fine Arts, Houston, (MFAH), TX, USA

Kinesthesia: Latin American Kinetic Art, 1954–1969, Palm Springs Art Museum, Palm Spring, CA
An Open Mind, Maddox Arts, London, UK

Un tournant | A turning point: Antonio Asis, Martha Boto, Horacio García Rossi, Hugo De Marziani, Gregorio Vardanega, Sicardi Gallery, Houston, TX, USA
60 ans de Mouvement, 1ères Générations, Galerie Denise René, Paris, France

Dynamo: A Century of Light and Motion in Art, 1913-2013, RMN, Grand Palais, Paris, France

Constructed Dialogues: Concrete, Geometric and Kinetic Art from the Latin American Collection, The Museum of Fine Arts, Houston (MFAH), Houston, TX, USA
Real/Virtual, Arte Cinético Argentino de los Años Sesenta, Museo Nacional de Bellas Artes, Buenos Aires, Argentina

North Looks South: Building the Latinamerican Art Collection, Upper Brown Pavilion, The Museum of Fine Arts, Houston (MFAH), Houston, TX, USA
Color into Light: Selections from the MFAH Collection, Upper Brown Pavilion, The Museum of Fine Arts, Houston (MFAH), Houston, TX, USA

Lo[s] Cinético[s], Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

Contact: Le cyber-cosmos de Boto et Vardanega, Sicardi Gallery, Houston, TX, USA
Appel Design, Berlin, Germany
Kinetische Kunst: Ver-rückte Ansichten, Städtisches Museum Gelsenkirchen, Germany
Light and Shadow, Galerie von Bartha, Basel, Switzerland

Lichtkunst aus Kunstlicht, ZKM, Karlsruhe, Germany
Escultura, Objeto, Museo de Arte Moderno Buenos Aires (MAMBA), Buenos Aires, Argentina
L’Œil moteur, Art optique et cinétique, 1950-1975, Musée d'Art Moderne et Contemporain (MAMCS), Strasbourg, France

Moving Parts: Forms of the Kinetic, Museum Tinguely, Basel, Switzerland; Kunsthaus, Graz, Austria

Arte Abstracto, Argentino Fundación PROA, Buenos Aires, Argentina

Abstract Art from the Rio de la Plata: Buenos Aires and Montevideo, Americas Society, New York, NY, USA
Denise René: L’intrépide, Musée National d’Art Moderne, Centre Pompidou, Paris, France

Fluorescence, Galerie Denise René, Rive Gauche, Paris; Espace Marais, Paris

Art Construit, Art Cinétique d’Amérique Latine, Galerie Denise René, Paris, France

L’Art en Mouvement, Fondation Maeght, Saint-Paul de Vence, France

Carte blanche à Denise René, Paris Art Center, France
Face à la Machine, Maison de l’Amérique Latine, Paris, France

Electra, Musée d’Art Moderne de la Ville de Paris, France

L’Amérique Latine à Paris, Grand-Palais, Paris, France

Centre d’action culturelle “Les Gémeaux,” Sceaux, France

Galerie Denise René, Paris, France

Art Cinétique, Maison de la Culture, Grenoble, France
Denise René à Londres, Redfern Gallery, London, UK

Lumière et Mouvement, Art Cinétique à Paris, Musée d’Art Moderne de la Ville de Paris, France
Structures, Lumière et Mouvement, Galerie Denise René, Paris, France
Light Motion Space, Walker Arts Center, Minneapolis, MN, USA; Albright-Knox Art Gallery, Buffalo, NY, USA

Sigma I, Galerie des Beaux-Arts, Bordeaux, France
Argentina en el mundo. Artes visuales 2, Centro de Artes Visuales del Instituto Torcuato Di Tella, Buenos Aires, Argentina

Maison des Beaux-Arts, C.R.O.U.S., Paris, France
Mouvement 2, Galerie Denise René, Paris, France
Hanover Gallery, London, UK
Lumière, Mouvement et Optique, Palais des Beaux-Arts, Brussels, Belgium

L’Art Latino-américain, Musée d’Art Moderne de la Ville de Paris, France

Trente Argentins de la Nouvelle Génération, Galerie Creuze, Paris, France
Musée du Havre, Paris, France

Galería H, Buenos Aires, Argentina

L’Art visuel en Argentine, Exposition universelle et internationale, Brussels World Fair, Brussels, Belgium (Gold Medal)

IV Bienal de São Paulo, Brazil

Galería Estímulo, Buenos Aires, Argentina

Galería Galatea, Buenos Aires, Argentina

Selected Public Collections

Centro de Artes Visuales del Instituto Torcuato di Tella, Buenos Aires, Argentina

Cisneros Fontanals Art Foundation (CIFO), Miami, FL, USA

Fonds National d’Art Contemporain, Paris, France

Heide Museum of Modern Art, Melbourne, Australia

Kemper Museum, Kansas City, MO, USA

Milwaukee Art Museum, Milwaukee, WI, USA

Musée d’Art Moderne de la Ville, Paris, France

Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France

Museo de Arte Contemporáneo Latinoamericano (MACLA), La Plata, Argentina

Museo de Arte Latinoamericano (MALBA), Buenos Aires, Argentina

Museo Nacional de Bellas Artes, Buenos Aires, Argentina

Museu de Arte Moderna de Rio de Janeiro, Rio de Janeiro, Brazil

The Museum of Fine Arts, Houston (MFAH), Houston, TX, USA

Museum of Geometric and MADI Art, Dallas, TX, USA

Recklinghausen Museum, Recklinghausen, Germany

Rembrandt van Rijn Foundation, The Cape, South Africa

Tel-Aviv Museum of Art, Tel-Aviv, Israel